Friday, December 18, 2009

Top 10 Albums of '09

I make no omissions about feeling a LITTLE bit lackluster about this year's crop of new music. While last year saw a return to form by Portishead, the cough syrup-toting New Orleans Nightmare, Weezy, and the melodic trance creating MGMT, there will not be one band or rapper returning this year except Bon Iver. But, there were plenty of surprises and bright spots and these ten albums were truly great for individual reasons. While last year I found more indie rock sneak their way in the door, this year was great for pop. Maybe the recession inspired the industry to make slap-happy grooves that lifted the soul? Whatever the cause, pick up these albums.


10. Daisy - Brand New

The boys from Long Island released their fourth studio album to much fanfare. This was their highest charted album reaching number 6 on the Billboard 200 thanks in large to the success of The Devil And God Are Raging Inside Me. This album infuses surf-rock, bluesy riffs, and heavy metal. As experimental as the sound came across, Jesse still was able to inject enough of himself to create a link between this album and the rest of their catalogue - barely. Jarring, loud, and aggressive are just a couple of adjectives that could be used to sum up this album. It is trying. But it is complete. Mike Sapone did an excellent job breathing life into this angry beast. Standout tracks include, "Bed," "You Stole," "At the Bottom," and "Bought a Bride."

9. The Ecstatic - Mos Def

It's interesting how the two hip hop albums on this list are almost a throwback. A novelty. Let's hit rewind and remember what it was to listen to hip in the 90s. Grooving melodies crafted by neo-soul hits of the 50s and 60s. Of course Def puts his unique spin on it. While this may be one of his more accessible records of recent memory, he really strikes a rhythm that is deeply satisfying. It's a short romp, but the Brooklyn Bomber does his thing here. Standout tracks include, "History (feat Kweli)," "Twilite Speedball," and "Auditorium (feat. The Ruler)."

8. The Fame Monster - Lady Gaga

I will admit. I was late to this party. And as much as this might be a guilty admission into my top ten, I cannot dismiss the power of Lady Gaga. Her club hits that started out as infectious hook-laden pop hits like "Just Dance" flourished to full-fledged arena-sized power ballads such as "Bad Romance." Her entry into music consciousness was as smooth as blunt force trauma. If the door wasn't to open, she would kick it down. Soon she was singing hooks on up-and-coming hip hop acts such as Wale and Kid Cudi. To her credit, once the populace was ready to receive her, she took the light and ran with it. She is a performer first and then musician. She has done a good job of keeping her music sonically different than fluff acts and to that I will give her artist to watch for years to follow. Standout tracks are, "Just Dance," "Poker Face," and "Bad Romance."

7. Blood Bank EP - Bon Iver

Justin Vernon just has a knack of creating wintery melancholy tunes that message the aches and pains of life. While this might be a bit boisterous to put a four song EP in the top ten of the year -- this is pretty much just an extra slap on the back for his highly-successful full length album last year. If you need some Iver to hold you over til the spring, this may be just the drink. All four tracks are standout. Even the final track that proved even a folk singer like Vernon could take the auto-tune and make something organic come of it.

6. Album - Girls

Christopher Owens may be one of the most interesting musicians to emerge this year. Creating the masterpiece that calls itself Album may be enough to give him the most misunderstood musical figure in the industry. He's a junkie. He is an ex-member of the Children of God cult. And that's just the beginning. He's a musical genius and his anti-hero anthem, "Hellhole Ratrace" may just sum up 09' as a whole. Born out of San Francisco, California, Owens croons to be believed in. We might not have a choice after this initial offering. Standout tracks include, "Hellhole Ratrace," "Lust for Life," and "Morning Light."

5. Manners - Passion Pit

The earnest crooning of Michael Angelakos is only the beginning to this band formed out of Cambridge, Massachusetts. This electronic band wedges itself somewhere in between MGMT and Postal Service. The pure wall of sound that drenches every track creates a dramatic soundscape peppered with light keyboard strokes. This album is the dark horse. Created out of Angelakos' wanting to create music for his girlfriend, now their EP feels like a tremendous freshman effort to woo every girl listening. It's light. It's fun. There's not much to challenge the listener so repeat listens may not break any new ground, but damn it if it's not infectious. Standout tracks include, "Moth's Wings," "Sleepyhead," "The Reeling," and "Swimming in the Flood."

4. It's Blitz! - Yeah Yeah Yeahs

Karen O may just be my hero. It just seems like whatever she touches to gold. Born to be the princess of Indie rock. This being their third offering, they ditch slow emo ballads for some electronic dance music. "Zero" seemed to come hurtling through the sonic sphere right in the nick of time. The critical success of this album seems to parallel the success of LCD Soundsystem's Sounds of Silver which saw the band reach a different kind of success with their electronic offering. Already nominated for the Grammy for Best Alternative Album, It's Blitz! seems to find the YYYs in a different world. One that loves them almost as much as they love themselves. Karen O has always been Indie rock's superstar, but the mainstream success has never fully eyed her until now. It'll be interesting to see how they go from here. Standout tracks include, "Zero," "Heads Will Roll," "Skeletons," and "Dull Life."

3. Merriweather Post Pavilion - Animal Collective

Holy coherent melodies, Batman! Who would have thought Animal Collective would have been able to release a comprehensive albums that hardcore freakfolk nerds and simpletons could sway to alike? Not me. And yet, they've done it. They're crossing over from independent glory to mainstream with deft ease. Did Panda Bear give Ben Gibbard a call? Reaching 13 on the Billboard 200, this is easily their most commercially successful album to date. And perhaps the sonic sound of the album was bred out of necessity and not out of creativity entirely. Josh Gibb (guitarist) needed to take some time from the band out of personal reasons, so the now trio had to come up with sounds for substitutes in lieu of the guitar. The outcome was something close to Panda Bear's solo album Person Pitch. Using samplers as their primary instrument, the result also draws comparisons to Brian Wilson and the Beach Boys. Technically, this might be the best album of the year. Best Tracks include: "My Girls," "Summertime Clothes," and "Brother Sport."

2. Only Built 4 Cuban Linx...Part II - Raekwon

What an re-entry. If the music industry were a steel door, Rae used OB4CL like a chainsaw. He was not gonna be denied with this album. With some of the best producers to ever sit at the table he received beats from Dre, RZA, J Dilla, The Alchemist, Marley Marl, and Pete Rock, he could have done nothing over the sonic landscape laid out and still had a top ten album. But perhaps that's the icing, every single line and lyric seemed laid in perfect positioning. Every guest spot seemed to up the last. Jada has never seemed more gruff. Ghostface has never seemed more wise. Slick Rick has never seemed so immediately relevant. And if the first installment of this series was Godfather I, this definitely feels like Godfather II. The rise of Brando. Raekwon the Chef aka Lex Diamonds is back with something the hood and mainstream can bump alike. Everything feels dangerous from the strings to the samples. Give a lot of credit to RZA for that. If last year was the year of the forward-thinking Weezy, this year is an homage to everything rap used to be. Top Tracks include: "Surgical Gloves," "Canal Street," and "10 Bricks."

1. Two Suns - Bat For Lashes

The difference in genres couldn't be any more different between number 1 and 2 on this list. Natasha Khan will be the next Indie rock superstar -- well if you want to call it rock. She plays piano, guitar, harpsichord, and autoharp. Not exactly what the pillars of rock were built on. But this beautiful album plays one part mysticism and one part sexuality. It seeps out of every corner and somehow feels out of the Lord of the Rings soundtrack or something. Playing on a lot of ambient noise, these songs almost feel organic in nature. Beautifully composed, each track rises and falls with almost breath-like qualities. There really isn't anything out there like this right now sonically and maybe that's the reason they may not be as big as they should be right now. If I had to peg a musical equivalent, I could draw comparisons to Feist or Tori Amos, but dynamic sampling and synths infuse genres that simply put Bat for Lashes on an island for one. If you listen to one track all year -- just one. Pick "Daniel." It is a flagship single if I've ever heard one. The production comes screaming -- ahem sighing -- out of the 80s but Khan's voice feels timeless making it relevant. They may borrow techniques out of the 60s, 70s and 80s, but this band has created one of the most beautiful albums to date and it feels so new. Much like Damien Rice's album O, sometimes beauty is the missing piece behind these musical compositions and the highlights reside in this album's softer moments. Intimate. Almost naked. She bares all and I dare you to turn away. Highlight tracks: "Daniel," "Glass," "Moon and Moon," and "Siren Song."